{"id":55,"date":"2020-03-23T01:39:05","date_gmt":"2020-03-23T01:39:05","guid":{"rendered":"http:\/\/odj.llo.mybluehost.me\/imagined\/?p=55"},"modified":"2022-03-18T06:29:29","modified_gmt":"2022-03-18T06:29:29","slug":"deconstructing-merdeka-and-the-media","status":"publish","type":"post","link":"https:\/\/imagined.my\/?p=55","title":{"rendered":"De(con)structing Merdeka and the Media"},"content":{"rendered":"\n

The buildings of Malaya\u2019s independence are very different from those that define Kuala Lumpur\u2019s landscape today. How different are its storytellers?<\/strong><\/p>\n\n\n\n

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Image source: KLAF via https:\/\/thecitymaker.com.my\/the-merdeka-interviews-part-2\/<\/figcaption><\/figure>\n\n\n\n

The Merdeka Interviews : Architects, Engineers and Artists of Malaysia’s Independence
by Lai Chee Kien and Ang Chee Cheong<\/em><\/p>\n\n\n\n

It\u2019s difficult to write something both original and interesting on a subject that\u2019s already been covered extensively in an almost 700-page book, a dozen media interviews and a handful of talks.<\/p>\n\n\n\n\n\n\n\n

But when my indignation at something Malaysian architect Ang Chee Cheong said at a recent lecture morphed into a troubling sense of self-doubt, it feels somewhat important for me to try.<\/p>\n\n\n\n

\u201cThe media is not doing its job,\u201d Ang, co-author of The Merdeka Interviews<\/em>, said at the end of Architecture and Independence<\/em>, a lecture he gave at Lit Books in early October that was co-organised by Imagined Malaysia.<\/p>\n\n\n\n

Really?<\/em> I\u2019d wondered. Ang has spoken extensively about the book he and fellow architect Lai Chee Kien put together. Since the book\u2019s publication in early 2018, he has gone on record several times to highlight how innovative the architects of Malaya\u2019s first structures were.<\/p>\n\n\n\n

Here are a few existing articles on the subject matter covered in the book: The proud first 10<\/a>, ‘The Merdeka Interviews’ spotlights architects, engineers and artists who shaped Malaysia post-independence<\/a> and Merdeka Special: The untold stories of 5 historical Malaysian structures<\/a>.<\/p>\n\n\n\n

See, it isn\u2019t difficult to find a narrative – and a compelling one at that – snaking through Malaya\u2019s iconic tributes to independence. I can go on and on about the disciplined yet cheerful work ethic of multiracial and even multinational parties back then (they had a celebratory party every time a floor of the Parliament building was constructed), how an Englishwoman carved the bas relief of Hang Tuah for Muzium Negara and even Tunku Abdul Rahman\u2019s modelling of the Tugu Negara after the Iwo Jima memorial in Washington to remind people of Malaya\u2019s Emergency period.<\/p>\n\n\n\n

But that will be nothing compared to the words used by the architects and engineers involved in the design and construction of these structures in The Merdeka Interviews<\/em>.<\/p>\n\n\n\n

For instance, since we\u2019re on the subject of the media, here\u2019s a story from the book about a Malay Mail journalist who showed up every evening at Merdeka Stadium while it was being constructed, as told by the late architect Stanley Jewkes. Sitting alone on the bleachers night after night, this reporter didn\u2019t even ask any questions but instead watched the ongoing work in silence.<\/p>\n\n\n\n

We were then on the last of the four towers, and we had got it up and we were just swinging it into position when I said to him: \u201cLook, I read your paper every day and never have I seen any comment or any photographs of these towers.\u201d<\/em><\/p><\/blockquote>\n\n\n\n

And he said: \u201cWell, nothing has happened yet.\u201d<\/em><\/p><\/blockquote>\n\n\n\n

I said: \u201cWhat do you mean nothing has happened yet?\u201d<\/em><\/p><\/blockquote>\n\n\n\n

He said: \u201cNothing\u2019s fallen down yet.\u201d<\/em><\/p><\/blockquote>\n\n\n\n

It\u2019s a hilarious story, but it begs the question: has Malaysian media changed today? <\/p>\n\n\n\n

I\u2019m not sure print newspapers can afford sending journalists to stake out construction sites every night anymore. But even if they did, few people pay to read print any more. In a world of instantaneous photos and status updates that take seconds to write and publish for the world to read, it seems ever so difficult to grab and hold attention with blocks of text… so a RM127.50<\/a>, 668-page book weighing several kilograms might just fail to grab enough attention.<\/p>\n\n\n\n

Maybe this article will suffer the same fate.<\/p>\n\n\n\n

But if you\u2019ve made it this far, I urge you to get your hands on the book and actually read it. Treasure it. Laugh at the funny stories, be inspired by the odds these people beat to build what they did. Pore through the drawings – intricate and one-of-its-kind – that tell stories words cannot. The outcome of those meticulous works are now hiding in plain sight: once symbols of democracy and independence, they are today backdrops of KL\u2019s infamous rush hour traffic.<\/p>\n\n\n\n

Print, like those monuments, isn\u2019t dead or obsolete, but in the noisiness of the virtual traffic today, it\u2019s easy to lose sight of how much it still has to offer.<\/p>\n\n\n\n

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Wait, but why<\/h3>\n\n\n\n

If you\u2019re wondering why any of this matters, here are some questions for you to ask yourself and Malaysia\u2019s current builders, both of physical structures and national discourse:<\/p>\n\n\n\n

1. What are we trying to build today? <\/p><\/blockquote>\n\n\n\n

2. What have we succeeded in building?<\/p><\/blockquote>\n\n\n\n

3. How will this shape our country, not just tomorrow or next year, but for generations to come?<\/p><\/blockquote>\n\n\n\n

One tribute to Malaya\u2019s independence has already been torn down and replaced with what its builders hope will become another: the Coronation Park, which later became Merdeka Park, is being transformed into Menara Warisan, or Menara 118, a questionable edifice in KL\u2019s already oversaturated commercial space market. <\/p>\n\n\n\n

Another lost view, says Ang, is the two-part mural on Muzium Negara\u2019s outer walls, half of which is now blocked by the glass entrance to the Merdeka MRT station.<\/p>\n\n\n\n

He also noted the poor craftsmanship visible in the six layers of flooring work of the Parliament building.<\/p>\n\n\n\n

So what are we destroying in the name of \u2018progress\u2019?<\/p>\n\n\n\n

\u201cIn the past, buildings had agency, programme, meaning. They served a function for a new nation,\u201d Ang lamented.<\/p>\n\n\n\n

\u201cToday, Malaysia seems to be striving for the region\u2019s tallest building. But it\u2019s really only competing with itself.\u201d<\/p>\n\n\n\n

In such a case, history offers us not only an opportunity to appreciate the hard work of our forefathers, but to learn lessons from their motivations and ethics. <\/p>\n\n\n\n

A pertinent question was asked in a recent conversation I had with some of the people behind Malaysia Design Archive: are we really just preserving history so that we can throw around a bunch of cute fun facts or milk tourism money from it?<\/p>\n\n\n\n

Neither are necessarily bad. But maybe there\u2019s so much more that history and the monuments of Merdeka can teach us about nationhood and how to be better, stronger and more progressive as a country.<\/p>\n","protected":false},"excerpt":{"rendered":"

The buildings of Malaya\u2019s independence are very different from those that define Kuala Lumpur\u2019s landscape today. How different are its storytellers? The Merdeka Interviews : Architects, Engineers and Artists of Malaysia’s Independenceby Lai Chee Kien and Ang Chee Cheong It\u2019s difficult to write something both original and interesting on a subject that\u2019s already been covered extensively […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[8,9,10,7],"class_list":["post-55","post","type-post","status-publish","format-standard","hentry","category-blog","tag-architecture","tag-design","tag-malaysia","tag-merdeka"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"smart-post-landscape":false,"smart-post-portrait":false},"uagb_author_info":{"display_name":"Samantha Ho","author_link":"https:\/\/imagined.my\/?author=2"},"uagb_comment_info":0,"uagb_excerpt":"The buildings of Malaya\u2019s independence are very different from those that define Kuala Lumpur\u2019s landscape today. How different are its storytellers? The Merdeka Interviews : Architects, Engineers and Artists of Malaysia’s Independenceby Lai Chee Kien and Ang Chee Cheong It\u2019s difficult to write something both original and interesting on a subject that\u2019s already been covered extensively…","_links":{"self":[{"href":"https:\/\/imagined.my\/index.php?rest_route=\/wp\/v2\/posts\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagined.my\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagined.my\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagined.my\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/imagined.my\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55"}],"version-history":[{"count":7,"href":"https:\/\/imagined.my\/index.php?rest_route=\/wp\/v2\/posts\/55\/revisions"}],"predecessor-version":[{"id":550,"href":"https:\/\/imagined.my\/index.php?rest_route=\/wp\/v2\/posts\/55\/revisions\/550"}],"wp:attachment":[{"href":"https:\/\/imagined.my\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagined.my\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagined.my\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}